Tag Archives: Black History

NCJA Game Changer Of The Month #African-American #historian #CarterWoodson #NoCriticsJustArtists

By TB

Feature image via Black Awareness Foundation

NCJA Global Motion Picture(s) Of The Month @HiddenFigures & @FencesMovie #NoCriticsJustArtists

Brilliant African-American women working at NASA, who served as the brains behind one of the greatest operations in history: the launch of astronaut John Glenn into orbit, a stunning achievement that restored the nation’s confidence, turned around the Space Race, and galvanized the world. The visionary trio crossed all gender and race lines to inspire generations to dream big.


FENCES is directed by Denzel Washington from a screenplay by August Wilson, adapted from Wilson’s Pulitzer Prize-winning play. The film stars Denzel Washington, Viola Davis, Jovan Adepo, Stephen McKinley Henderson, Russell Hornsby, Mykelti Williamson, and Saniyya Sydney. The film is produced by Scott Rudin, Denzel Washington and Todd Black.

NCJA Book of the Month: ‘Prince Among Slaves’ by #TerryAlford #NoCriticsJustArtists

Check out NCJA Global Motion Picture of the Month: Prince Among Slaves #BlackHistoryMonth #NoCritcsJustArtists

Check Out NCJA Game Changer of the Month: #African #American #Sculptor, #Installation & #Performance #Artist , #DavidHammons #NoCriticsJustArtists

This slideshow requires JavaScript.

David Hammons (born 1943) is a sculptor, installation and performance African American artist from Springfield IL in the 1960's
David Hammons (born 1943) is a sculptor, installation and performance African American artist from Springfield IL in the 1960’s

Hammons yaard – Bliz-aard Ball Sale (1983), a performance piece in which Hammons situates himself alongside street vendors in downtown Manhattan in order to sell snowballs which are priced according to size.

About feature image:                                                                                                           David Hammons, “How Ya Like Me Now?,” 1988 (Photo: John Kennard)

David Hammons’s 1988 billboard-sized portrait of Jesse Jackson, the African-American civil rights activist and 1984 and ’88 Democratic presidential candidate, turns him caucasian, blonde and blue-eyed. The title, “How Ya Like Me Now?” (from the title of Kool Moe Dee’s 1987 rap) is scrawled across the painting’s bottom—defiantly questioning how race colors people’s opinions.